WORD PYROMANIA: EXERCISES THAT CAN SPARK.
The playwright Tom Stoppard was once asked, “Where do your ideas come from?” He answered, “I wish I knew. I’d move there.” Nevertheless, he’s had a career full of ideas, and he’s shaped them into great plays. For instance, a friend gave him a note once, telling him Freud, Lenin, and James Joyce all lived on the same block in Zurich in 1916 and he should write a play about it. It turned out to be true and that the dadaist Tristan Tzara lived nearby also, but no play arose from those facts until Stoppard discovered that Joyce and a minor diplomat named Henry Carr were embroiled in a lawsuit and counter suit over the cost of a suit. Carr had purchased it as his costume for the part of Jack Worthing in Joyce’s production of The Importance of Being Earnest, and Joyce wouldn’t pay him back. The play is called Travesties. It’s pretty brilliant. And the point is that it probably came not from facts and ideas but from fun with language, from the multiple meanings of the word “suit.”
This poetry workshop will be about fun with words. We’ll take a shot at one or two exercises less about whamming our ideas into lines for poems and more about letting language discover what it wants to.
Come with pens, paper, and a readiness to see what some new exercises might compel you to discover. Workshop registration via BrownPaperTickets.com.